No one on the plantation had ever heard the Old African’s voice, yet he had spoken to all of them in their minds. For the Old African had the power to see the color of a person’s soul and read his thoughts as if they were words on a page. Now it was time to act—time to lead his fellow slaves to the Water-That-Stretched-Forever, and from there back to Africa. Back to their home. Based on legend and infused with magical realism, this haunting tale is beautiful in both its language and its images. Julius Lester and Jerry Pinkney have found a new, extraordinary way to express the horrors of slavery and the hope and strength that managed to overcome its grip.

Born in 1939, Julius Lester spent his youth in the Midwest and the South and received a B.A. in English from Fisk University in 1960.Since 1968 he has published 25 books of fiction, nonfiction, children's books, and poetry. Among the awards these books have received are the Newbery Honor Medal, American Library Association Notable Book, National Jewish Book Award Finalist,The New York Times Outstanding Book, National Book Critics Circle Award Finalist, Caldecott Honor Book, the Boston Globe-Horn Book Award, and a National Book Award Finalist. His books have been translated into eight languages.He has published more than one hundred essays and reviews in such publicationsThe New York Times Book Review, The New York Times Op-Ed Page,The Boston Globe, The Village Voice, The New Republic, Katallagete, Moment, Forward, and Dissent.He has recorded two albums of original songs, hosted and produced a radio show on WBAI-FM in New York City for eight years, and hosted a live television show on WNET in New York for two years. A veteran of the Civil Rights Movement, his photographs of that movement are included in an exhibition at the Smithsonian Institution and are part of the permanent photographic collection at Howard University.After teaching at the New School for Social Research for two years, Mr. Lester joined the faculty of the University of Massachusetts/Amherst in 1971 where he is presently a full professor in the Judaic and Near Eastern Studies Department, and adjunct professor in the English and History departments. He also serves as lay religious leader of Beth El Synagogue in St. Johnsbury, Vermont.He has been awarded all four of the university's most prestigious faculty awards: The Distinguished Teacher's Award; the Faculty Fellowship Award for Distinguished Research and Scholarship; Distinguished Faculty Lecturer; and recipient of the Chancellor's Medal, the University's highest honor. In 1986 the Council for Advancement and Support of Education selected him as the Massachusetts State Professor of the Year.Mr. Lester's biography has appeared in Who's Who In America since 1970. He has given lectures and papers at more than 100 colleges and universities.His most recent books are John Henry, And All Our Wounds Forgiven, a novel about the civil rights movement, andOthello, a novel based on the Shakespeare play.Jerry Pinkney has been illustrating children's books since 1964 and has the rare distinction of being the recipient of:Five Caldecott Honor MedalsFive Coretta Scott King AwardsFour New York Times Best Illustrated Awards (most recently 2006 Little Red Hen)Four Gold and four Silver medals from the Society of IllustratorsBoston Globe Honor Book Award (John Henry 1994)In addition to his work on children's books, he is an extremely successful artist who has had eleven one-man retrospectives at venues ranging from the Museum of the National Center of Afro-American Artists to the Art Institute of Chicago. His current one-man show entitled, "Building Bridges, the Art of Jerry Pinkney" was organized by the Pittsburgh Children's Museum and will be traveling through 1998. Mr. Pinkney has illustrated for a wide variety of clients, includingNational Geographic , the National Parks Service, the U.S. Postal Service, theAmerican Library Association and the Association of Booksellers for Children.Born in Philadelphia in 1939, Jerry Pinkney states, "(I) took an interest in drawing very early in my life, and at some point I realized I'd rather sit and draw than do almost anything else." While growing up in the Germantown section of Philadelphia his interest in art was supported by hisfamily -- especially by his mother. "She certainly understood me and made it clear to everyone that if art was what I wanted to pursue, then that's what she wan